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Inspiration in the oddest places…

October 4, 2008 - by chrisbrandel

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The deeper I go in my beadmaking and other glass arts, the more I notice myself noticing patterns and other designs out in the world. And the majority of the time, I find myself looking at something and thinking, “I could make a bead that looks like that”.

It’s almost always something I haven’t taken a great notice of before, like the pattern of someone’s hubcaps, or the multiple lines in a bookcase full of books. For example, I realized a few weeks ago that there were a bunch of particularly interesting designs in children’s textiles and clothing. Looking a little closer at my son’s things, I found these:

They are making pacifiers with really interesting patterns these days! I just had to see if I could come up with some beads based on the patterns here. In particular, I liked the dots and concentric circles, and they looked so much like ancient eye beads that I love. Sooooo…..I sat down at the torch the other day and made these:

I call them”Mod Baby”. They haven’t become anything yet besides a great set of beads, but I have several ideas involving coiled fine silver wire and a choker-style necklace.

I think this is probably the first time I have made an entire set of beads based on a particular pattern or style that wasn’t another set of beads I had seen somewhere. I think my favorite thing about the whole process of making these beads is that there actually is a storyline to it….I saw the pacifiers, noticed the patterns….realized they would make interesting beads….and then figured out how to reproduce the pattern.

Since I made these beads, I’ve spent a lot more time looking at things everywhere in order to find my next jumping off point for torchwork. I consider myself mostly a maker of sculpted beads– I don’t make bead sets often — but now I find myself drawn to the challenge of making bead sets based on patterns in other objects. Earlier today, I looked up into the trees in my yard and thought about how to incorporate the pattern made by the underside of branches and leaves.

How do you challenge yourself when you work?

When One Thing Leads To Another

October 2, 2008 - by limamike

I love Tierracast pewter components. They’re exceptionally well made, and ever since sterling silver started to sky-rocket in price, pewter has been a great alternative in my designs.

I got their latest flyer full of some really cool new pieces, and they featured a wild necklace — nearly every single linkage was different. I adore asymmetrical work, and gravitate towards it when I see it, but because I’m very Type A (not to mention obsessive compulsive), that sort of design is difficult for me.

I decided to go for it and try my hand at a long necklace using all kinds of beads and components. I had no planned design for the piece, so just started grabbing things out of the bead cabinet. Here’s what my work space looked like:

Oxidized copper wire, copper Tierracast rings, olive green and matte navy blue glass, bronze jump rings, and some other bits and pieces.

I decided to let the beads lead the path. I added more beads, discarded others, and finally ended up with about ten coordinating pieces. I had no layout planned, and just started linking things together.

Along the way, my growing necklace gave me another brain storm - I thought, “wouldn’t this part look cool just as a pendant?

Afraid I’d forget just which part of the necklace I wanted to use later, I drew out a picture. Later, I put it together. Here’s what I came up with:

Suspended from a copper chain, this long pendant looked (in my opinion) very cool.

So on to the original necklace. Trying to use the non-clinical side of my brain, I put together a bit of this, a little of that, and then used the straight-forward, methodical part of my brain to make sure the necklace had flow. And this is the final result:

I really how it turned out! The cool thing is the clasp (at the top left) blends in so well that you can move the necklace around and wear it any way you like.

I still have a ways to go when it comes to creating really cool, wild, artistic designs that are nowhere close to symmetric, but I think this is a good start!

Lori Anderson sells her jewelry at craft shows, on Etsy, and on her web site. She creates and blogs from Easton, MD.

Making a Classic Design Your Own

September 27, 2008 - by limamike

Chain maille has been around for hundreds of years. After all, it’s how armor was made for medieval knights. Visit any renaissance festival and you’ll see an abundance of chain maille armor, chain maille head pieces, and, my favorite, chain maille jewelry.

Linking a pile of jump rings together is, to me, a very soothing task. It reminds me of knitting a scarf — once the foundation row is made, I can just go on and on and on without really having to think too much. I tend to make the more standard chain weaves, nothing elaborate, so once I’ve got the chain going, I can let my mind just zone out for a while and give myself a break.

The patterns for standard chain maille — Byzantine, European 4-in-1, Full Persian — have been around for what seems like forever. No one owns the rights to those weaves, and there are lots of free tutorials online; and therefore, lots of people making them. So the trick is to make that given pattern your OWN.

Some artists get very creative and come up with entirely new weaves. Some use new materials, like stretchy,colorful neoprene. My method of giving the finished bracelet a unique look is to add beads.

Full Persian is one of my favorite chains — dense but flexible, substantial but not too heavy — it’s just got a great look. Every single Full Persian bracelet I make gets a handmade lampwork bead and an extender chain with clusters of crystals that match the glass. Each bracelet I make is different because of the bead, and since this style is the only way I’ve ever made Full Persian, it’s become my own signature style.

So if you’re a chain maille enthusiast, take a look around and see what you can do to make a tried and true classic something that has your personal stamp of creativity on it. Maybe it’s a killer toggle, or mixing metals, or embellishing the chain. Adding that special touch will make you stand out in the crowd, and make that style your own.

Lori Anderson sells her jewelry at craft shows, on Etsy, and on her web site. She creates and blogs from Easton, MD.

Hair Club For Glass People (and using up old glass)

September 26, 2008 - by Studio Marcy - Marcy Lamberson

I love making quirky people in glass. They could be fairies, mermaids, vikings or even pirates. Kind of the good, the bad and the ugly. But each one needs to have plenty of details to keep them interesting. One of the ways to make them stand out is their hair.

Making hair is great way to use up old stringers, ends of glass and add dimension and color at the same time. Use ones that are in the color families or complement what you’re doing.

Make a base gather of glass. Depending on what you’re going to add, this can be an important or less important color. If you’re going to be adding lots of opaques to the outside of it, then it is less important, because it will show less. If you’re going to be adding stringers or shorts that have a lot of transparents in them, then make sure it’s a color you want to stand out.

Make your gather into the traditional short stubby barrel shape for making latticino, and you’re ready to add your stripes. Here’s where you can use up some of the old glass. If you have stringers in the right color families, then start adding. Personally, I like to add lights, mediums and darks throughout, (kind of like giving the bead highlights and lowlights from the hair salon). Once you’ve added all your spare glass and made it nice and big, then I case it in either clear, or a transparent glass like light amber. Don’t forget when you pull the latticino, the color could lose a little intensity because of transparents you have used.

And on the flip side of that, using a deep, rich color of transparent to case it, could unify some iffy colors that are used underneath. Think of it like a watercolor painting. If you put a transparent red over an ivory, a bright yellow, (that you really wanted to use up), and a brown, it would mellow all of it out and they’d have a bit more similarity to them. Experiment and have fun with them.

Get creative and case it in two very different glasses. But do it horizontally, instead of vertically. So you are casing it perpendicular to your stripes so they are side by side. If you do that, it will be like making two different colors of hair latticino, which can cut down your prep time for your beads and give you more variety in a shorter amount of time. Just make sure your original glass is large enough to support two colors for what you’re going to do. It would be horrible to not have enough for your mermaid, where she’d need to wear a bob, instead of the long flowing locks you prefer.

Marcy Lamberson lives in Atlanta, teaches and sells her beads on Etsy, http://www.StudioMarcy.etsy.com, and blogs daily for glass beadmakers and lovers, http://www.StudioMarcy.blogspot.com

Painting hot glass into impressionism latticino landscape-ish dream…

September 24, 2008 - by sheilamorley

Through my childhood, I pretty much spent every summer taking a month long boat trip with my family. I did do some sketching during this time. Most often I was just looking around at the beautiful landscape in Michigan, and the view from the great lakes. We managed to travel all of the Great Lakes.

With that inspiration in the back of my mind, I typically find myself painting the views I remember most. Usually I am looking at the horizon, past many hills, and a lake or two. In the last couple years I have been painting the landscapes with glass. The last few really caught my eye, so I thought I would share them here.

The details in the landscape are made with Latticino. Latticino is when you put two or three different glass types or colors together and stretch it into a new rod of glass. The new rod will be striped straight or like a candy cane. (Ozziebuddy has a little story about latticino)Those rods can be welded together, creating a beautiful impressionistic little painting.

I put a small soul gesture (that is what I call my people) in the foreground of this second bead. I just Love when I can imagine what that person feels, or thinks. In this case, I am thinking of a song; “I got the whole world in my hands…the whole wide world…”

These painterly beads are incredibly similar to what I would create with a paint brush. This week, I made a larger latticino landscape, that will be framed and hung on the wall. It is amazing, years of painting, and hanging paintings on the wall, and now years of painting with hot glass, creating glass beads, and now I am putting them on the wall. Full circle artistic realities….right back where I started!

Sheila Morley is a happily married mother of two boys. She sells her work on the internet today, through her website, and at art and bead shows in Michigan. Sheila is currently seeking outside representation for her art. For up to date information on her art, you can visit Sheila’s art blog, ‘Art talk with Sheila Morley’